Baroque is is an artistic style of the 17th and 18th centuries.
I don’t have anything interesting to say about such a broad artistic movement, but I am absolutely enthralled by this example of Baroque sculpture by Pierre Le Gros the Younger, which can be found in Sant’Andrea al Quirinale, Rome (http://bit.ly/2345JT7).
According to the Web Gallery of Art,
Here Le Gros’work looks back to the tradition of ecstatic or dying saints created by Bernini and Caffa, but instead of a white marble figure set off by coloured marbles, colour forms an integral part of Le Gros’ work: black touchstone for the Jesuit habit, Sicilian jasper and yellow marble for the bedding, and gilt bronze for the fringe. The saint’s hands, feet and head are carved from white Carrara marble, with the hair left rough and unpolished and the nails and eyes delicately incised (http://bit.ly/2345JT7).
I remember reading somewhere that ancient Greek sculptures were painted:
However, I am intrigued by the idea of a sculpture with colors that come from the materials themselves.
Here’s a closeup of this amazing work of art, where even the folds of his clothes are detailed and convincing:
There are stories of people entering this room being startled, thinking that this is a real person. Such a sculpture takes the trompe l’oeil (“fool the eye”) movement in painting to another medium in a fascinating way.